ENTRANCE
ART-e-FACT, STRATEGIES OF RESISTANCE   ISSUE #03, TECHNOMYTHOLOGIES
 

ABOUT, EDITORIAL, REFERENCES, CONTACT
ART WORK  >>
GLOBAL+ MAP
K9 Compassion
Zlatko Kopljar


TRAVELOG

Flags
Oliver Musoviќ

Cardboard Maps
Ferhat Özgür

Original Adidas
Vlad Nanca

K9 Compassion
Zlatko Kopljar

On "Kiezism"
Ingo Vetter and Annette Weisser

FEATURE AND WRITINGS
Flags, Oliver Musovik
Flags
Oliver Musovik


TRAVELOG

Souvenirs Made In
Lara Badurina

To Transform the Political Speech in Facts, Finally.
Carlos Garaicoa

Model City
Bik Van der Pol

THE ELABORATION OF CULTURE IS TOWARDS MULTIPLE TRANSNATIONAL INFRASTRUCTURE ECONOMIES
Hilary Koob-Sassen

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ARTEFAKT
EDITORIAL

GLOCALOGUE Editorial
Editor, Antonia Majača
Guest Editor: Zoran Erić

The state of affairs in present day capitalism could be exemplified with the logic of multinational companies and their top down distribution or dissemination of the branded commodities worldwide with a high level of sensitivity to local tastes and habits. Namely, the very term "glocalization" was conceived in the field of economic analysis and used to emphasize that the global outreach of a marketing campaign for a product is more likely to succeed when it is adapted specifically to each locality or culture where it is being promoted. In the sphere of placement of products related to art and culture in the global cultural economy, it comes to the point that a geopolitically infused 'local flavor' to the works conceived upon the globally accepted paradigms, markets art projects in a much more successful manner than their conceptual background and inner-artistic references.

As opposed to this stereotypical model of cultural consumption of the local, as imposed by the market mechanisms of "predatory" capitalism, we would propose a bottom up initiative based on various local case studies. We would like to give a theoretical framework to the issue of "glocalization", as well to analyze how images, meanings, spatial concepts and values associated with specific localities are generated and circulate within the global cultural economy, and how this process could be negotiated in the form of a glocalogue.

 



 

The editorial board of art-e-fact is not closed in terms of either generations or disciplines, nor does it stem from sectarian or commercial interests. It has been conceived as a dynamic body, which is continuously re-formed and changed, involving various authorial personalities and experiences, while the central theme is given shape by an invited guest editor.

editorial board (alphabetic order): Nada Beroš , Marina Gržinić, Silva Kalčić, Trudy Lane, Antonia Majača (editor-in-chief), Dalibor Martinis (AIM, for the publisher), Žarko Paić, Leila Topić (executive editor)


CONTENTS








ART-e-FACT
Original Adidas, Vlad Nanca
Original Adidas
Vlad Nanca

Editorial
Zoran Erić




ART WORK
SYSTEMS

 
 
 
 
 
 
 



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